BIOGRAPHY
By the time he was twenty one, Adrian had composed over two hundred works, but in a radical rethink of his technique, and under pressure from his professors Alan Ridout and Herbert Howells, destroyed his entire output in the autumn of 1977. He has been prolific since that day, and his output once again now stands at over two hundred works, including twelve symphonies and many other works of major length. The late Alan Ridout, composer and Adrian's mentor, described Adrian as having "his own vision". He said that Adrian is "capable of turning out pieces from the simple and practical to the virtuosic and high-flown". Many of his chamber works from the mid 1980s, for example Trisagion, Moraine and the chamber opera Hawker, show an affinity with the music of Sir Peter Maxwell Davies. His wind music belies a love of the music of Poulenc, while his more recent concert works owe much to the visionary concepts of American composer Alan Hovhaness, whose music Adrian has studied in particular detail, extending to giving European premieres of Hovhaness's entire music for organ. Hovhaness has described Adrian's music as having "an innate spirituality".
Adrian has always loved organ music, and as testament to this, he has written many works for publisher Kevin Mayhew, designed for parish church use. Indeed, during the first eight months of 1998 alone, for example, he wrote three versions of nine new organ works and no fewer than twenty five arrangements of well-loved classical orchestral music under commission. In addition, he composed several other new works including a song cycle for soprano, flute, vibraphone and piano to words by Chris Burchell, and a twenty eight minute string trio for the Leopold Trio. Among Adrian's more recent works are a set of thirteen little jazz pieces for piano, entitled O'Donoghue's Dozen. They're named for the baker in the nearby town of Belmullet, County Mayo.
Copyright © 2002-2008 Adrian Vernon Fish | |||||||||||||||||||||